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DTSTART;TZID=Europe/London:20250630T173000
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DTSTAMP:20260530T022822
CREATED:20240510T112403Z
LAST-MODIFIED:20250526T102549Z
UID:5114-1751304600-1751308200@kso.org.uk
SUMMARY:Seating rehearsal at Cadogan Hall
DESCRIPTION:
URL:https://kso.org.uk/event/seating-rehearsal-at-cadogan-hall-5/
LOCATION:Cadogan Hall\, 5 Sloane Terrace\, London\, SW1X 9DQ\, United Kingdom
CATEGORIES:Rehearsal
ATTACH;FMTTYPE=image/jpeg:https://kso.org.uk/wp-content/uploads/2022/08/Cadogan-Hall.jpg
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DTSTART;TZID=Europe/London:20250630T193000
DTEND;TZID=Europe/London:20250630T193000
DTSTAMP:20260530T022822
CREATED:20250404T102636Z
LAST-MODIFIED:20250430T205120Z
UID:5445-1751311800-1751311800@kso.org.uk
SUMMARY:Rachmaninov and Shostakovich at Cadogan Hall
DESCRIPTION:Kensington Symphony Orchestra is joined by BBC Young Musician finalist Firoze Madon for Rachmaninov’s Rhapsody on a Theme of Paganini (1934). \nA set of 24 variations on the last of Paganini’s 24 Caprices for Solo Violin\, this popular showpiece is most famous for its slow 18th variation which features on numerous film and TV soundtracks. \nMusic director Russell Keable also leads KSO in The Sea and the Seagulls (1911/orch. 1930)\, Respighi’s orchestration of a piano piece from Rachmaninov’s Études-Tableaux\, Op. 33. \nThe concert opens with Anatoly Lyadov’s tone poem Kikimora (1909) which exhibits an exceptional flair for orchestral colour as it tells the story of a monster’s evil plans\, and concludes with Shostakovich’s Symphony No. 1 (1924-25)\, completed when the composer was just 19. \nCombining tragedy with wit\, the work was an immediate success. Critics have since argued that it was influenced by vaudeville music\, Stravinsky’s Petrushka\, and Richard Strauss.
URL:https://kso.org.uk/event/concert-at-cadogan-hall-copy/
LOCATION:Cadogan Hall\, 5 Sloane Terrace\, London\, SW1X 9DQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://kso.org.uk/wp-content/uploads/2022/08/Cadogan-Hall.jpg
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