Kensington Symphony Orchestra

Repertoire Day - Shostakovich 10
2024-06-02 11:00 - 17:00 (Europe/London) | MPW Queen’s Gate House, 65 Queen's Gate, London, SW7 5JS

String repertoire session 1
2024-06-06 18:30 - 21:30 | Netley Primary School, 74 Stanhope Street, London, NW1 3EX, United Kingdom

Wind repertoire session
2024-06-06 18:30 - 21:30 | St Gabriel’s Hall, Churchill Gardens, London, SW1V 3AA

String repertoire session 2
2024-06-20 18:30 - 21:30 | The Grey Coat Hospital School, Greycoat Place SW1P 2DY, St Andrew's Site, Greycoat Place, London, SW1P 2DY, United Kingdom

Repertoire Day - Strauss: Ein Heldenleben
2024-06-30 11:00 - 17:00 | The Grey Coat Hospital School Sports Hall, Regency Street, St Michael's Site, 98 Regency Street, London, SW1P 4GH, United Kingdom

Tutti rehearsal at The Grey Coat Hospital School (St Andrew’s Site)
2024-09-12 18:30 - 21:30, 2024-09-19 18:30 - 21:30, 2024-10-10 18:30 - 21:30, 2024-10-24 18:30 - 21:30, 2024-10-31 18:30 - 21:30, 2024-11-14 18:30 - 21:30, 2024-11-21 18:30 - 21:30, 2024-12-05 18:30 - 21:30 and 11 more dates | The Grey Coat Hospital School, Greycoat Place SW1P 2DY, St Andrew's Site, Greycoat Place, London, SW1P 2DY, United Kingdom

String sectional rehearsal at Netley Primary School
2024-09-26 18:30 - 21:30, 2024-11-07 18:30 - 21:30, 2025-01-09 18:30 - 21:30, 2025-03-13 18:30 - 21:30, 2025-05-01 18:30 - 21:30, 2025-06-12 18:30 - 21:30, 2025-09-25 18:30 - 21:30, 2025-11-06 18:30 - 21:30 and 9 more dates | Netley Primary School, 74 Stanhope Street, London, NW1 3EX, United Kingdom

Woodwind sectional rehearsal at Pimlico Academy
2024-09-26 18:30 - 21:30, 2024-11-07 18:30 - 21:30, 2025-01-09 18:30 - 21:30, 2025-03-13 18:30 - 21:30, 2025-05-01 18:30 - 21:30, 2025-06-12 18:30 - 21:30, 2025-09-25 18:30 - 21:30, 2025-11-06 18:30 - 21:30 and 9 more dates | Pimlico Academy, 36 Lupus Street, London, SW1V 3AT, United Kingdom

Horn sectional rehearsal at Pimlico Academy
2024-09-26 18:30 - 21:30 | Pimlico Academy, 36 Lupus Street, London, SW1V 3AT, United Kingdom

Tutti rehearsal at The Grey Coat Hospital School Sports Hall
2024-10-03 18:30 - 21:30, 2025-03-23 11:00 - 17:00 | The Grey Coat Hospital School Sports Hall, Regency Street, St Michael's Site, 98 Regency Street, London, SW1P 4GH, United Kingdom

Tutti rehearsal at Grey Coat Hospital School Sports Hall
2024-10-13 11:00 - 17:00 | The Grey Coat Hospital School Sports Hall, Regency Street, St Michael's Site, 98 Regency Street, London, SW1P 4GH, United Kingdom

Seating rehearsal at Smith Square Hall
2024-10-14 17:30 - 18:30, 2024-11-25 17:30 - 18:30, 2025-05-19 17:30 - 18:30, 2025-10-06 17:30 - 18:30, 2026-03-16 17:30 - 18:30, 2026-10-12 17:30 - 18:30, 2027-01-25 17:30 - 18:30, 2027-05-17 17:30 - 18:30 | Smith Square Hall, Smith Square, London, SW1P 3HA, United Kingdom

A Hero’s Life
2024-10-14 19:30 | Smith Square Hall, Smith Square, London, SW1P 3HA, United Kingdom
Kensington Symphony Orchestra begins its 2024/25 season at Smith Square Hall on Monday 14 October, when conductor Russell Keable leads the group in a performance of Richard Strauss’s tone poem Ein Heldenleben, or ‘A Hero’s Life’ (1898).
Begun when the composer was staying in a mountain resort in Bavaria, the work was designed to illustrate the “ideal of great and manly heroism”. Although Strauss denied that he was the protagonist of the title, it features an effusive violin solo depicting his wife Pauline, plus caricatures in the woodwind and brass of his adversaries in the music press.
Alternately swaggering and sweet, the six-section piece – written while Strauss was simultaneously working on Don Juan – also contains more than 30 quotations from his earlier works, including Also sprach Zarathustra, Till Eulenspiegel, Don Quixote and Death and Transfiguration.
The concert opens with Samuel Barber’s Overture to The School for Scandal (1931) – the young composer’s first work for full orchestra, which helped to establish his reputation. Written on holiday in Italy during a break from his studies in Philadelphia, and intended to reflect the spirit of Sheridan’s 18th-century comedy of manners, it is energetic, fast-paced and characterised by orchestral brilliance.
The orchestra also performs Vítězslava Kaprálová’s Suita Rustica (1938), written two years before her death from typhoid fever aged 25. Kaprálová, who studied with fellow Czech composer Bohuslav Martinů, was commissioned by Universal Edition to write the three-movement work, which is by turns lyrical and exuberant, and bears the influence of Stravinsky’s Petrushka.

Tutti rehearsal at Queen's Gate House
2024-11-24 11:00 - 17:00, 2025-09-30 18:30 - 21:30, 2025-10-02 18:30 - 21:30 | MPW Queen’s Gate House, 65 Queen's Gate, London, SW7 5JS

Mahler’s Fourth Symphony
2024-11-25 19:30 | Smith Square Hall, Smith Square, London, SW1P 3HA, United Kingdom
Kensington Symphony Orchestra returns to Smith Square Hall on Monday 25 November, when soprano Monica McGhee joins the group for a performance of Mahler’s Symphony No.4 (1899-1900).
Shorter in length and using smaller orchestral forces than the composer’s earlier symphonies, the four-movement work boasts a disarmingly tuneful opening, followed by a scherzo that depicts Death at his violin, contrasted with Ländler-style trios.
After an extended Adagio that Mahler considered his finest slow movement, the finale incorporates a song for soprano – Das himmlische Leben, or ‘The Heavenly Life’, completed in 1892 – that presents a child’s vision of heaven.
Although the work – inspired by the German folk poetry collection Des Knaben Wunderhorn and largely written during Mahler’s summer holidays in Austria – was initially negatively received, critics have since argued that its accessibility was a driving force behind the post-war rise in the composer’s popularity.
The concert opens with Swedish composer Andrea Tarrodi’s Serenade in Seven Colours (2013), written for woodwind and percussion. Inspired by Mozart’s Serenade for 13 Winds No.10, ‘Gran Partita’ and Quiet Nights by jazz musicians Miles Davis and Gil Evans, her kaleidoscopic showpiece progresses from shimmering impressionistic textures to an explosion of colour.
Conductor Russell Keable also leads KSO’s string section in Grace Williams’s Sea Sketches (1944), a five-movement work evoking life on and near the water, and featuring long flowing lines inspired by the sea. One of the Welsh composer’s most popular pieces, it was written while she was living in London but anticipating her return after the Second World War to her home town of Barry in South Wales.

Tutti rehearsal at Bishopsgate Institute
2025-01-19 11:00 - 17:00, 2025-05-18 11:00 - 17:00, 2025-06-29 11:00 - 17:00, 2025-11-09 11:00 - 17:00, 2026-11-08 11:00 - 17:00, 2027-01-24 11:00 - 17:00, 2027-03-14 11:00 - 17:00 | Bishopsgate Institute, 230 Bishopsgate, London, EC2M 4QH, United Kingdom

General rehearsal at Queen Elizabeth Hall
2025-01-25 15:30 - 17:30, 2026-11-15 | Queen Elizabeth Hall, Southbank Centre, Belvedere Road, London, SE1 8XX, United Kingdom

Magnus Lindberg’s Clarinet Concerto with Julian Bliss
2025-01-25 19:30 | Queen Elizabeth Hall, Southbank Centre, Belvedere Road, London, SE1 8XX, United Kingdom
Kensington Symphony Orchestra is joined by leading soloist Julian Bliss for a performance of Magnus Lindberg’s dazzling Clarinet Concerto (2001-02). One of the Finnish composer’s most frequently performed pieces, the work comprises a single five-section movement. Restless but rhapsodic, its joyous evocation of nature has been described as “contemporary in language but sensuously easy on the ear”.
“A perfect concerto… if there’s any justice, it will soon be as oft-performed as Mozart’s,” said The Times.
Music by Ravel book-ends the programme, which opens with Rapsodie espagnole (1907-08), one of the composer’s first major works for orchestra. Drawing on his Basque heritage, the colourful four-movement piece moves from the stillness of night to Spanish dances and a dazzling fiesta.
Ravel described La valse (1919-20) – originally conceived as a ballet – as a depiction of waltzing couples in an imperial court, initially seen through whirling clouds. Beginning with kaleidoscopic fragments of melodies, this popular work builds inexorably to a tumultuous, thrilling finale.
Music director Russell Keable also leads the orchestra in Prokofiev’s Lieutenant Kijé (1933-34). The composer viewed his first film score, which accompanied a satire on Russian royalty, as an opportunity to adopt a more accessible style, and the resulting five-movement suite is one of his most popular works.

Repertoire Day - Shostakovich 7
2025-02-16 11:00 - 17:30 | Bishopsgate Institute, 230 Bishopsgate, London, EC2M 4QH, United Kingdom

Tutti rehearsal at The Grey Coat Hospital School (St Andrew's Site)
2025-03-06 18:30 - 21:30, 2025-05-29 18:30 - 21:30, 2025-09-11 18:30 - 21:00, 2025-09-18 18:30 - 21:30, 2025-10-23 18:30 - 21:30 | The Grey Coat Hospital School, Greycoat Place SW1P 2DY, St Andrew's Site, Greycoat Place, London, SW1P 2DY, United Kingdom

General rehearsal at Fairfield Halls
2025-03-29 13:30 - 16:15, 2026-06-20 11:30 - 13:45 | Fairfield Halls, Park Lane, Croydon, CR9 1DG, United Kingdom

Holst’s The Planets with Epiphoni Consort at Fairfield Halls
2025-03-29 18:00 | Fairfield Halls, Park Lane, Croydon, CR9 1DG, United Kingdom
Kensington Symphony Orchestra is back at Fairfield Halls where the group will join forces with the female voices of Epiphoni Consort to perform Gustav Holst’s The Planets (1914-17).
The perennially popular orchestral suite, premièred by Sir Adrian Boult at the Queen’s Hall in London during the final weeks of the First World War, comprises seven movements named after planets of the solar system and their supposed astrological characters.
Scored for large orchestra and featuring two women’s choruses, the work – which is said to have taken inspiration from Schoenberg’s Five Pieces for Orchestra – was written after Holst’s interest in astrology was sparked during a holiday in Spain with fellow composer Arnold Bax.
KSO also performs Serenade to Music (1938) by Holst’s friend Ralph Vaughan Williams. Written for solo singers, chorus and orchestra, and dedicated to conductor Sir Henry Wood, it features lyrics adapted from Shakespeare’s The Merchant of Venice. Sergei Rachmaninov, who was present at the work’s première, was so overcome by the beauty of the music that he wept.
Music director Russell Keable also leads the orchestra in John Foulds’s April-England (1926/32), a typically pastoral work described by the composer as a depiction of “the boundless fecundity and opulent burgeoning of springtime”, while Epiphoni Consort sing Michael Tippett’s madrigal ‘Dance, Clarion Air’ (1953) and movements from Patrick Hawes’s Revelation (2016).

Bruckner's 7th Symphony
2025-05-19 19:30 | Smith Square Hall, Smith Square, London, SW1P 3HA, United Kingdom
One of his best-known works, the symphony stands as Bruckner’s memorial to fellow composer Richard Wagner, who died while he was writing the piece.
The work opens with an Allegro moderato, featuring a cello theme that Bruckner said he had heard in a dream. Then follows an Adagio that he began while Wagner was ill and completed after the German composer’s death. In tribute to his longtime inspiration, Bruckner used four Wagner tubas, marking the instrument’s first appearance in symphonic music. A mournful elegy, the Adagio includes a cymbal clash that is said to represent the moment of Wagner’s death. A rustic Scherzo brings comic relief before the Finale opens with an echo of the first movement’s initial theme. This also recurs during the closing bars of a symphony that remains among Bruckner’s most popular works.

Seating rehearsal at Cadogan Hall
2025-06-30 17:30 - 18:30 | Cadogan Hall, 5 Sloane Terrace, London, SW1X 9DQ, United Kingdom

Rachmaninov and Shostakovich at Cadogan Hall
2025-06-30 19:30 | Cadogan Hall, 5 Sloane Terrace, London, SW1X 9DQ, United Kingdom
Kensington Symphony Orchestra is joined by BBC Young Musician finalist Firoze Madon for Rachmaninov’s Rhapsody on a Theme of Paganini (1934).
A set of 24 variations on the last of Paganini’s 24 Caprices for Solo Violin, this popular showpiece is most famous for its slow 18th variation which features on numerous film and TV soundtracks.
Music director Russell Keable also leads KSO in The Sea and the Seagulls (1911/orch. 1930), Respighi’s orchestration of a piano piece from Rachmaninov’s Études-Tableaux, Op. 33.
The concert opens with Anatoly Lyadov’s tone poem Kikimora (1909) which exhibits an exceptional flair for orchestral colour as it tells the story of a monster’s evil plans, and concludes with Shostakovich’s Symphony No. 1 (1924-25), completed when the composer was just 19.
Combining tragedy with wit, the work was an immediate success. Critics have since argued that it was influenced by vaudeville music, Stravinsky’s Petrushka, and Richard Strauss.

Pimlico Academy Music Tracks rehearsal and concert
2025-07-03 16:30 - 19:30, 2026-07-02 16:30 - 19:30 | Pimlico Academy, 36 Lupus Street, London, SW1V 3AT, United Kingdom

Tutti rehearsal at Henry Wood Hall
2025-10-05 11:00 - 17:00, 2026-03-15 11:00 - 17:00, 2026-10-11 11:00 - 17:00, 2027-05-16 11:00 - 17:00, 2027-07-04 11:00 - 17:00 | Henry Wood Hall, Trinity Church Square, London, SE1 4HU, United Kingdom

Stravinsky's Firebird
2025-10-06 19:30 | Smith Square Hall, Smith Square, London, SW1P 3HA, United Kingdom
We begin our 2025/26 season with a performance of Stravinsky’s complete ballet The Firebird.
Written for the 1910 Paris season of Sergei Diaghilev’s Ballets Russes, the work – described as “a supreme example of how music can evoke a mood” – catapulted Stravinsky to international fame. Inspired by Russian fairy tales, the ballet follows Prince Ivan, who enlists the help of the magical Firebird to battle the evil Koschei in his castle.
The concert opens with Rodion Shchedrin’s Concerto for Orchestra No.1, ‘Naughty Limericks’ (1963), a virtuosic single-movement work. Impish, humorous and energetic, it incorporates a number of Russian folk tunes.
KSO also performs Martinů’s Les fresques de Piero della Francesca (1955), which pays homage to the Italian artist’s cycle of frescoes The History of the True Cross (around 1452-66), an early Renaissance masterpiece that Martinů had admired in the Tuscan town of Arezzo in 1954.

Tutti rehearsal at the Grey Coat Hospital School, Grey Coat Place
2025-10-30 18:30 - 21:30, 2026-02-12 18:30 - 21:30, 2026-02-19 18:30 - 21:30, 2026-03-05 18:30 - 21:30, 2026-03-12 18:30 - 21:30 | The Grey Coat Hospital School, Greycoat Place SW1P 2DY, St Andrew's Site, Greycoat Place, London, SW1P 2DY, United Kingdom

Tutti rehearsal at the Grey Coat Hospital School Sports Hall, Regency Street
2025-11-13 18:30 - 21:30 | The Grey Coat Hospital School Sports Hall, Regency Street, St Michael's Site, 98 Regency Street, London, SW1P 4GH, United Kingdom
E

General rehearsal at Smith Square Hall
2025-11-16 12:00 - 14:00 | Smith Square Hall, Smith Square, London, SW1P 3HA, United Kingdom

Doreen Carwithen, James MacMillan and Ruth Gipps at Smith Square Hall
2025-11-16 15:00 | Smith Square Hall, Smith Square, London, SW1P 3HA, United Kingdom
Kensington Symphony Orchestra performs an all-British programme of music including Ruth Gipps’ Symphony No. 4, a fiery, joyful and quintessentially English work.

Gipps studied with Ralph Vaughan Williams, and her final symphony, written in 1972, was dedicated to fellow composer Arthur Bliss. This quintessentially English work comprises a fiery opening, a delicate Adagio, a playful Scherzo and a joyful Finale. The concert opens with Doreen Carwithen’s Bishop Rock (1952), a “unashamedly theatrical” overture by a composer known for her film scores. The piece pays tribute to Bishop Rock, one of the westernmost of the Isles of Scilly and, thanks to its famous lighthouse, the world’s smallest island with a building on it. KSO also performs James MacMillan’s The Confession of Isobel Gowdie (1990), a requiem for a woman burnt as a witch. Elegiac interludes are punctured by violent outbursts in the work, which incorporates Scottish folk tunes and Gregorian chant, and was rapturously received at its première at the BBC Proms in 1990.

KSO Festive Drinks
2025-12-04 18:00 - 19:30 | Cask Pub & Kitchen, 6 Charlwood Street, London, SW1V 2EE

KSO Festive Curry
2025-12-04 19:30 | Millbank Spice, 34-38 Vauxhall Bridge Road, London, SW1V 2RY, United Kingdom

Repertoire Day - Rachmaninov 3
2026-01-18 11:00 - 17:30 | Henry Wood Hall, Trinity Church Square, London, SE1 4HU, United Kingdom

Brahms 3 at Smith Square Hall
2026-03-16 19:30 | Smith Square Hall, Smith Square, London, SW1P 3HA, United Kingdom
Kensington Symphony Orchestra returns to Smith Square Hall on Monday 16 March, when we are joined by guest conductor Matt Scott Rogers for a performance of Brahms’s Symphony No.3 (1883).
After spending the summer of 1883 writing the work at Wiesbaden, on the Rhine, Brahms played the first and final movements on the piano to Antonín Dvořák, who remarked that his fellow composer had surpassed his previous two symphonies, “if not, perhaps, in grandeur, then certainly in beauty”. Premièred by the Vienna Philharmonic under Hans Richter in December of that year, the work was well received, with Richter proclaiming it to be Brahms’s ‘Eroica’.
We also perform Dvořák’s Cello Concerto (1894-95), which was premièred by the English cellist Leo Stern, conducted by the composer, at the Queen’s Hall in London in March 1896. The opening Allegro is followed by a lyrical Adagio, in which Dvořák pays tribute to his seriously ill sister-in-law,and a lively Finale. Having corrected Dvořák’s proofs of the work, Brahms remarked: “If I had known that it was possible to compose such a concerto for the cello, I would have tried it myself!”
The concert opens with Berlioz’s Le corsaire (1844), a dashing overture that imagines the dangers and thrills of life as a pirate, its title suggesting Byron’s poem The Corsair. Dramatic and lyrical, it shares rhythmic energy with the composer’s Le carnaval romain.

Tutti rehearsal at the Grey Coat Hospital School, Greycoat Place
2026-04-09 18:30 - 21:30 | The Grey Coat Hospital School, Greycoat Place SW1P 2DY, St Andrew's Site, Greycoat Place, London, SW1P 2DY, United Kingdom
Rehearsal order
6.30 Blacher
7.20 Nielsen
9.00 Grieg

Tutti rehearsal at the Grey Coat Hospital School, Greycoat Place
2026-04-16 18:30 - 21:30 | The Grey Coat Hospital School, Greycoat Place SW1P 2DY, St Andrew's Site, Greycoat Place, London, SW1P 2DY, United Kingdom
Rehearsal order
6.30 Blacher
7.00 Nielsen
9.00 Grieg

Tutti rehearsal at the Grey Coat Hospital School, Greycoat Place
2026-04-30 18:30 - 21:30 | The Grey Coat Hospital School, Greycoat Place SW1P 2DY, St Andrew's Site, Greycoat Place, London, SW1P 2DY, United Kingdom
Rehearsal order
6.30 Blacher
7.30 Nielsen
9.10 Grieg

Tutti rehearsal at the Grey Coat Hospital School, Greycoat Place
2026-05-07 18:30 - 21:30 | The Grey Coat Hospital School, Greycoat Place SW1P 2DY, St Andrew's Site, Greycoat Place, London, SW1P 2DY, United Kingdom
Rehearsal order
6.30 Grieg (with soloist) – all rehearsal

Tutti rehearsal at Grey Coat Hospital School Sports Hall, Regency Street
2026-05-10 11:00 - 17:00 | The Grey Coat Hospital School Sports Hall, Regency Street, St Michael's Site, 98 Regency Street, London, SW1P 4GH, United Kingdom
Rehearsal order
11.00 Blacher
1.00 Lunch
2.00 Nielsen (first movement up to Adagio)
2.30 Nielsen (Adagio and second movement)
5.00 Finish

Seating rehearsal Cadogan Hall
2026-05-12 17:30 - 18:30 | Cadogan Hall, 5 Sloane Terrace, London, SW1X 9DQ, United Kingdom
Rehearsal order
5.30 Grieg
6.00 Nielsen
6.15 Blacher

Nielsen’s Symphony No.5 at Cadogan Hall
2026-05-12 19:30 | Cadogan Hall, 5 Sloane Terrace, London, SW1X 9DQ, United Kingdom
Kensington Symphony Orchestra returns to Cadogan Hall to perform Nielsen’s Fifth Symphony (1922), likened by the composer to “the division of dark and light, the battle between evil and good”.
Alternately explosive and calm, the work features a famous battle between the orchestra and a snare drummer, who is instructed to improvise “as though determined at all costs to stop the progress of the orchestra”.
KSO is joined by former BBC Young Musician keyboard finalist Firoze Madon for Grieg’s much-loved Piano Concerto (1868), written when the composer was just 24. A lyrical Andante is bookended by a dramatic Allegro and an energetic Finale, both featuring motifs influenced by Norwegian folk music.
The concert opens with Boris Blacher’s virtuosic Orchestral Variations on a Theme by N. Paganini (1947), which brought the composer international renown after his work was deemed “degenerate” during the Second World War.

Tutti rehearsal at the Grey Coat Hospital School (Greycoat Place)
2026-05-28 18:30 - 21:30, 2026-06-11 18:30 - 21:30, 2026-06-18 18:30 - 21:30, 2026-09-10 18:30 - 21:30, 2026-09-17 18:30 - 21:30, 2026-10-01 18:30 - 21:30, 2026-10-08 18:30 - 21:30, 2026-10-22 18:30 - 21:30 and 18 more dates | The Grey Coat Hospital School, Greycoat Place SW1P 2DY, St Andrew's Site, Greycoat Place, London, SW1P 2DY, United Kingdom

Tutti rehearsal at Grey Coat Hospital School Sports Hall (Regency Street)
2026-06-14 11:00 - 17:00 | The Grey Coat Hospital School Sports Hall, Regency Street, St Michael's Site, 98 Regency Street, London, SW1P 4GH, United Kingdom

Copland, Bernstein and John Adams at Fairfield Halls
2026-06-20 15:00 | Fairfield Halls, Park Lane, Croydon, CR9 1DG, United Kingdom
Kensington Symphony Orchestra returns to Fairfield Halls with an all-American programme of music featuring John Adams’s Harmonium (1980-81).
The orchestra is joined by Epiphoni Consort for this three-movement work, regarded as one of the key compositions of Adams’s minimalist period. Based on poems by John Donne and Emily Dickinson, it is influenced by the music of Steve Reich and calls for a large orchestra and chorus, including an eclectic percussion section.
The concert opens with Copland’s Billy the Kid (Suite) (1938), taken from the one-act ballet commissioned by the impresario Lincoln Kirstein. One of the composer’s most popular and frequently performed pieces, it incorporates cowboy tunes and American folk songs in its depiction of the passions and dangers of the Wild West.
Music director Russell Keable also leads the orchestra in a performance of Bernstein’s Symphonic Dances from West Side Story (1960), an orchestral suite in nine movements adapted from the composer’s smash-hit musical, a version of William Shakespeare’s Romeo and Juliet set on New York City’s Upper West Side.

Rachmaninov’s Symphony No.3 at Smith Square Hall
2026-10-12 19:30 | Smith Square Hall, Smith Square, London, SW1P 3HA, United Kingdom

Bartók's Concerto for Orchestra at Queen Elizabeth Hall
2026-11-15 15:00 | Queen Elizabeth Hall, Southbank Centre, Belvedere Road, London, SE1 8XX, United Kingdom

Schubert and Bruckner - Unfinished Symphonies at Smith Square Hall
2027-01-25 19:30 | Smith Square Hall, Smith Square, London, SW1P 3HA, United Kingdom

General rehearsal at Barbican Hall
2027-03-15 | Barbican Hall, Silk Street, London, EC2Y 8DS, United Kingdom

Korngold’s Die tote Stadt - KSO's 70th Anniversary Concert
2027-03-15 19:00 | Barbican Hall, Silk Street, London, EC2Y 8DS, United Kingdom

Vaughan Williams 9 at Smith Square Hall
2027-05-17 19:30 | Smith Square Hall, Smith Square, London, SW1P 3HA, United Kingdom

Seating rehearsal at LSO St Luke's
2027-07-05 17:30 - 18:30 | LSO St Luke’s, 161 Old Street, London, EC1V 9NG, United Kingdom

Sibelius 5 at LSO St Luke's
2027-07-05 19:30 | LSO St Luke’s, 161 Old Street, London, EC1V 9NG, United Kingdom
